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SUN-STAR & CROSS OF PERU: REFLECTIONS ON THE NEW JERUSALEM & GIZA GREAT PYRAMIDby apologista |
SUN-STAR - CRISSCROSSED SQUARES UNITED[1]
SUN-STAR & CROSS OF PERU
REFLECTIONS ON THE NEW JERUSALEM & GIZA GREAT PYRAMID
Section IV, Part 7, (A)
The Wonder Numbers of Sacred Canon
By Doug Krieger
Nestled in the mysterious reaches of the Peruvian desert in the Palpa Mountains is one of the most precise geometric configurations known to man: The Sun-Star, and its “satellite” – the Sun-Cross. This famed Geoglyph has for centuries remained an obscure earthly reflection of ancient calibration – an astronomical wonderment depicting something far and beyond the immediate reach of human understanding…if the Great Pyramid of Giza, Egypt, is to metrologists the Seventh Wonder of the World (still standing) in the Northern Hemisphere – then the Sun-Star of Peru is the “Eighth” World Wonder whose measurements may claim the Southern Hemisphere.
Its checkerboard indentations – so incredibly precise and measureable (Considered as a *Class 1 Geoglyph – the highest degree of precision in construction resulting in straight lines and evenly spaced and proportional symbol elements – most pronounced of the seven categories) – its octagonal shape and massive square overlays – its “wheel within the wheel” and additional circles both in view and imagined – and its dynamic interior – so enigmatic, peculiar, riveting to the attention of astronomer, mathematician, and especially, geometer – let alone archeologist, cosmologist and numerators throughout the world – bring us to conclude, as the late and dedicated Geoglyph researcher, Maria Reiche, did: These earthly objects echoed heavenly realities…they were designed as astronomical calibrations observed in the celestial realms. (*Tim McGuinness, Ph.D. for NazcaMystery.com).
More specifically, these peculiarities of antiquity mirror not only those dimensions of the Great Pyramid of Giza, the Sun and Moon but those of the New Jerusalem!
Who could have envisioned such geometric calculations etched into Earth’s most barren plateau to have lasted centuries – some say since 900 BC. Yes, who – but more importantly, why? Why was the design of this Geoglyph so indelible – even mesmerizing to the professional eye, elevated to view its magnificence and possible message? Its difference from all other peculiar Palpa-Nazca Geoglyph is striking – the closest glyph to the Museum of Maria Reiche along the costal route of the Pan American Highway some 200 miles south of Lima, Peru is there for a reason.
The ancients who determined its dimensions used metrologies far and beyond our wildest imagination – their precisions astound – use of measuring instruments calculating heavenly movement and beyond…they, we affirm, saw into the prophetic – knew time and space and somehow, some way, were aware of the Dimensions of Paradise – for the Sun-Star’s duodecimal (12) imprint is so well integrated into their “system.” We are left in utter wonderment that something of this magnitude could not have been left to happenstance. Yes, we conjecture, most certainly, however: Could the designers have known that its reflection magnified the Revelation of the New Jerusalem of John the Beloved, and mirrored the very ratios of the Great Pyramid of Giza? Could it be that the same genius whose architecture has survived as the last Wonder of the World – its Seventh – saw the need for an Eighth – an octagonal Geoglyph to match the octahedron or half octahedron of the Great Pyramid of Giza?
This is not fiction – the Sun-Star/Sun-Cross was chiseled/carved/dug out of the most arid and windless plateau on earth . . . preserving their impress unto the posterity of our time . . . making this most ancient glyph, and the hundreds of others found in the region, a most unique feature of Earth’s antiquities:
“The Nazca Lines (Nasca Lines), are a set of zoomorphic, phytomorphic and geometric figures (lines, triangles, trapezoids, circles, spirals, birds, a spider, a monkey, flowers) that appear engraved in the surface of the Nazca desert, a high arid plateau that stretches 37 miles between the towns of Nazca and Palpa on a large flat area of southern Peru. The Nazca Lines are one of the mysteries of the ancient world. They are the most outstanding group of geoglyphs (drawings on the ground) in the world. Lines and figures appear in an area of over 300 square miles.
“How did the ancient people of the Nazca desert (between 900 BC and
600 AD) achieve such geometrical precision, and what is the meaning of
the drawings of giant spiders and birds?
“Decades of exploration and study by German-born mathematician Maria Reiche
led her to see the Nazca lines as a sophisticated astronomical
observatory, created to mark risings and settings of the sun, moon and
stars.” (Nazca Lines)
Decades, yes, centuries – peering into this autostereogram – “designed to create the visual illusion of a three-dimensional (3D) scene from a two-dimensional image in the human brain. In order to perceive 3D shapes in these autostereograms, the brain must overcome the normally automatic coordination between focusing and vergence.” (Wikipedia)…yet, we never could make out the incredible features found in the Sun-Star which bespeak the dimensions of Paradise: The New Jerusalem. Theories to their origins abound…guess which one I prefer?
Palpa/Nazca Lines Theories |
|
Proponent/Scientist or Writer |
Theory |
Erich von Däniken |
Aliens/Extraterrestrials |
Alan f. Alford |
Negroid Slaves of the Tiahuanaco Culture |
Robert Bast |
In memory of the Great Deluge |
Gilbert de Jong |
Connected to the Zodiac |
Robin Edgar |
Expression of Solar Eclipses – Death and Rebirth of the Sun God |
Maria Reiche |
Astronomical Means of Communication – Solar Calendar and Enigmatic Constellations where none exist in space. |
Simone Waisband |
Astronomical Calendar |
Professor Gerald Hawkins |
By computer discovered no astronomical context whatsoever! |
Jim Woodmann |
Balloon Theory – Made of Peruvian Cotton – flying objects called “Condor” – used black balloons to bury dead kings. |
Prof. Anthony Aventi |
Expressions of the Water-Cult in the region – used for ceremonial dances |
Michael Coe |
Ceremonial Places for Rituals by natives. |
Siegfried Waxmann |
Cultural Atlas of human-history in the Nazca-lines. |
Prof. Frederico Kauffmann-Doig |
Magic lines originating from the cat-cult in Chavin de Huantar |
Georg A. von Breunig – Sport stadion |
Used for sprinting to honor special gods for ritual competitions. |
Markus Reindel/David Johnson |
Water Cult and Dowsing |
Wolf-Galicki – Signals from Extraterrestrial Beings |
Extraterrestrial Beings |
Hermann E. Bossi – The Nazca-Code |
Placed there on formation called the GGF or Mandala or Zodiac – same code used in Stonehenge, Avebury and Borobudur and also by Crop Circles |
Code of Carl Munck |
Code system using same “Ancient Measurements” affirmed by John Michell and predicated on ancient Gematria, including the Bible based on 360 degrees circle/12-in. ft. 60 sec. min. 5280-foot mile…used by ancient Mayans – the Code Matrix System – also used in Great Pyramid of Giza, Stonehenge, Glastonbury |
Prof. Helmut Tributsch – Fata Morgana |
Placed strategically around the world to view the Fata Morgana – Henomena. |
Jiri Mruzek |
The Seal of Atlantis – ref. Prehistorical La Marche, France Code |
John D. Miller |
177 Feet Theory – Deeper Code within |
Thomas Wick |
Based on “ground principles” of a Cathedral |
Prof. Henri Stierlin |
Line-system used as a string or as a loom |
Dr. Zoltan Zelko |
Simply a map of the region by ancient civ. |
Evan Hadingham |
Using hallucinogens – mountain deities |
Prof. Helaine Siverman |
Simply “Clan Signs” |
Prof. Dr. Akon Masons |
Signs for Gods in the Sky |
Albrecht Kottmann |
A system of writing and mathematical accounting – picture writing system of giant and smaller letters. |
SOURCE: Nazca Lines Theories - |
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